Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Erasmus Quellinus
Still Life in an Architectural Setting

ID: 03436

Erasmus Quellinus Still Life in an Architectural Setting
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Erasmus Quellinus Still Life in an Architectural Setting


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Erasmus Quellinus

1607-1678 Flemish Erasmus Quellinus Gallery   Related Paintings of Erasmus Quellinus :. | Man with Wide | Simon Bening | Still life floral, all kinds of reality flowers oil painting 287 | A View of Greenwich and the Queen's House from the South-East | Figura de un nino |
Related Artists:
Jose Teofilo de Jesus
painted asia in 1758-1847
Jan Matejko
Polish Painter, 1838-1893 He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience
David Octavius Hill
Scottish Painter and Photographer, 1802-1870 was a founding member of the Royal Scottish Academy and its secretary for 40 years. In 1843 he enlisted the help of Robert Adamson (b. 1821, Berunside, Scot. January 1848, St. Andrews), a chemist experienced in photography, in photographing the delegates to the founding convention of the Free Church of Scotland. They used the calotype process, by which an image was developed from a paper negative. In these and other portraits they demonstrated a masterly sense of form and composition and a dramatic use of light and shade. Their five-year partnership resulted in some 3,000 photographs, including many views of Edinburgh and small fishing villages.






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